Setting a key rather than using the default chromatic setting will help, because this will eliminate any notes that are not in that key. For instance if the note required is E and the singer veers more than half a semitone sharp, then Auto-Tune will think that he or she was aiming for an F and 'correct' the note to F. What is often not properly understood is that for Auto-Tune to work, the singer has to hit notes precisely within half a semitone. Unless you're working with a singer who genuinely sounds better without Auto-Tune, which many do, in which case enjoy the experience (while it lasts). And since we live in an era where Auto-Tune is routinely used in professional production, then everyone else needs to use it to keep up. All I know is that Auto-Tune can often improve a vocal significantly. Often Auto-Tune is treated with a degree of disrespect by people who think that singers ought to be able to damn well sing in tune. It is also used as an effect in its own right, but for today I am only interested in correcting pitch. Why process a whole vocal track when there is only one note that is out of tune? Sometimes surgical precision can be better than a brute force strike.Īs you know, Auto-Tune is a wonderful aid in correcting the pitch of a slightly out of tune singer.
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